In the heart of Mohegan Sun's Casino of the Earth,
new kid on the block Ballo's sprawling, exuberant scale may appear to be as over the top as any Vegas establishment, but is a perfect example of big things coming in big packages. This is a quality that restaurant maverick John J. Tunney III, owner of Ballo, emphasizes in his cuisine and brainchild. At a press lunch this afternoon, we got a chance to experience Ballo's menu and see the newly finished restaurant in the flesh.
Ballo has come a long way in two months, transforming from a nervously piecemeal jumble to a polished, stately restaurant. Long expanses of artificial greenery and red accents make a bold statement in the otherwise dark casino. Immense Gothic arches and wood-carved columns fill the
16,000 square foot expanse, serving as a persistent theme throughout the restaurant.
As we tour the restaurant, the boyish Mr. Tunney points out in a flustered, yet noticeably pleased manner, the pieces of the restaurant that were recently finished yet appear as though they took months to create. The name of the restaurant spelled out in carved metal on the floor. The slender decorative touches on the Corinthian columns. All small details that make a big splash in the atmosphere of Ballo.
The restaurant is segmented into bar areas and dinner areas, dance floors and private rooms, but not in a way that makes the eater feel separated from any one area of the restaurant. Rather, Tunney wishes to have these alcoves as ways for diners to experience the restaurant through many lenses under one roof.
High-profile customers can have their
library lounges and butler doors if they so choose, complete with hired security, yet with the option to hang out at the bar or dance in the back as well. A
middle coffeehouse-style area has comfortably
zany zebra print chairs and candlelit tables for close contact and a comforting oasis from the bustle of the casino.
No one room feels staid or added on at the last minute. Each area presents its own set of unique possibilities for customizing your dining experience.
While we did socialize at the centerpiece of the restaurant, Ballo's enormous marble bar, 12 in the afternoon seemed a little too early to dance on the tables. We started off our tasting by noshing on some
frighteningly addictive figs, roasted to gooey perfection, smeared with goat cheese, and bundled in prosciutto.
We washed these down with a selection of drinks, including Ballo's signature cocktail,
the Ballo Limonata, a delicately spritzed mixture of limonata, Spirit Vodka, and a frozen blood orange sphere. Refreshing and quenching with a neat twist on ice cubes and less dilution.
Later, we retreated to the rear, to a back room that makes a fine case for coming back, with integrated speakers and Renaissance curtained DJ area.
A little dark in the afternoon, but not cavernous. This area was where we ate our meal, a special tasting menu presented by executive chef Matthew Adler and chef de cuisine Shaun Golan.
I started off dinner with a quartino of the house red, a tangy Cabernet Sauvignon.
Ballo serves wine in 8 oz. quartinos, a pleasant and generous portion compared to the standard 5 oz. restaurant pour and priced like a typical glass. This is poured in 2 oz. portions from an individual pitcher that prevents the likely dribbling that comes with great, galumphing glasses of wine. With this, I was able to replenish as I pleased (though our server was so attentive there was no need to) and pace myself throughout the lunch. I enjoyed the cab. For a house wine, it was neither overly complex nor hiding poor quality under the house name.
It is worth noting that Ballo boasts a wine list of over 60 wines, 16 of them offered by the quartino, and all of them Italian.
For a lunch sandwiched between an unexpected 300 person cocktail party on behalf of the Mohegan tribe and the frantic anxiety of an opening night less than 24 hours away, Ballo presented a thoughtful and well-executed taste of its offerings, from cocktails to coffee, in a special seven course tasting menu. We started with the dish that had captivated us the last time around, the Ballo Caprese with a creamy mound of burrata, roasted cherry tomatoes, and housemade pesto. For an antipasti, this was a huge portion. The burrata was
creamy and silky, with a
porous texture that sopped up the pesto around it. The pesto was finely mixed and added a needed boost of salinity to the cheese, along with the tomatoes. Like last time, these were roasted, which added an additional dimension to the dish, but were roasted much better than the last time around and had less of a bite. An exceptionally good start.
Bread was passed around along with the burrata, freshly baked Italian loaves hot from the oven. This was ripped off in healthy chunks, and served with a mixture of herbed garlic olive oil and butter. A traditional start to the meal and like the burrata, an excellent sponge for the leftover pesto.
We followed this with another antipasti dish, crispy artichokes with arugula and lemon. These were
lightly crispy on the outside and yielding on the inside, and small enough to pop in your mouth. If all my vegetables were prepared in this fashion, I'd likely be more inclined to go vegetarian. The artichokes were not breaded, and I suspect that as a result of this, did not sop up excess oil. Light and tender,
the mild flavor of the artichokes was perked up by the addition of tart lemon juice and pickled scallions. More scallions and a hair more salt would have been preferred.
Following this was a dish of
pork meatballs with broccoli rabe, ricotta salata, and marinara sauce. Our server said there was pancetta floating around in this somewhere, but any additional ingredient would have died an anonymous death, smothered in the rich marinara and savory cheese. Pancetta or not, these were
delightfully nostalgic for all at the table, at least, those of us with marinara running through our veins. The meatballs erred toward the large side with
an airy, moist texture and a rush of oregano and garlic. The sauce was equally bold with a healthy pinch of red pepper flakes and a smooth texture. Three of these sat in a miniature skillet.
Believe me when I tell you that it took all of my restraint to not inhale each one.
The lunch took a slightly different turn after our trio of appetizers, and we were brought out a
communal sweet sausage pizza to share amongst us. With a mozzarella and pecorino blend pooling in crannies left between strings of caramelized onion and chunks of pepperocini, this was
a hearty yet controlled pie. With so many unctuous ingredients, one would expect something richer, sopping with oil and overspiced, but this seemed almost delicate.
A meat lover's special for the lady in Louboutins. It was sweet and fragrant, with a hearty crust and a light scattering of sausage.
It is worth noting that taking on a pizza project in Connecticut is as risky as taking on lobster in Maine or maple syrup in Vermont. While nothing could replace some of my beloved New Haven eateries, this was
a worthy contender and offered up some creative deviation to the by-the-book apizza standard 50 miles west.
Our next dish was a small plate of
fresh ravioli, the shell of which is
housemade daily on premise, filled with mascarpone, ricotta, and parmesan, and covered in more tasty pesto. A tangy and comforting dish. However, the
pasta shell was a little thick for its sweet, milky contents.
From that, we moved on to another pasta dish, a
lusty tagliatelle doused in bechamel with chunks of proscuitto, and broiled with
an end consistency of a savory toasted marshmallow. This achieved a nice bite to a normally saucy dish and added an additionally smoky note that the prosciutto certainly couldn't have done on its own amongst all the cheese. The flavor was rich and the
sauce a bit grainy, but flavorful. We found that the pasta held the sauce well and was cooked just a bit less than most mushy al dente offerings, with a firm structure.
There was a brief rest in between the tagliatelle and this steak course, and a well-needed one to digest and chat amongst ourselves. When this came out, a hush descended over the self-proclaimed carnivores of the group as we tucked into a filet mignon with heirloom tomatoes, radicchio, arugula pesto, and a balsamic reduction.
This was a steakhouse standard prepared with Italian accents. A great cut of steak, elevated even higher with a thick crust and a buttery, smooth cut, cooked medium rare and very moist.
The steak knife was almost superfluous, and the steak was seasoned minimally, as all steaks should be. The fresh tomatoes were sweet, but somewhat excessive. The pesto was the only low point of this dish.
This was now the third dish in our menu with pesto, and this manifested itself in a peppery, earthy version that dominated most of the flavors in the steak and vegetables if applied too liberally. 
Our savory courses settled in our stomachs, we moved on to coffee and dessert, of which there was thankfully only one course.
Illy coffee was served along with miniature cannoli with a double garnish of chopped pistachio nuts and dark chocolate chips, baked by resident chef-of-all-trades, Mr. Adler himself.
The cannoli,
yet another Wooster Street facsimile treading dangerously close to its granddaddy, was a slimmer cigarillo-type pastry, lacking the bready, oily crust and choking globs of cheese that make its larger version so delectable. Still a
sumptuous offering, with a
spiced mascarpone filling and a crispy, wonton-like shell. A quiet, classic way to end the whole affair, as blended and solid as the artful quotes filling the walls, Thoreau interpretations by Tunney's brother.
As our lunch wound down, Tunney lingered, not wanting the party to end and the music to die down. He chatted with us, cards were exchanged, and his smile fell a bit as we left. Tunney expounds upon his ideas as we walk out.
"Everyone has a story," Tunney tells us as we wait outside, not wanting to leave the splendor. "And we want to hear it." Hear them he will. The man with the golden restaurant touch opens Ballo tomorrow to the public, ready to whirl Mohegan Sun visitors around the dance floor and delight the senses. Be there, or be square.
This is one dance you won't want to miss.
"Oh, you must try the Ghost- they only bake one kind of specialty bread a day and don't bake any more when they run out! The owner wrote a ballad about the bakery! They have a schedule for their bread." Handwritten menus and a shabby workspace pass for status indicators in this area, I noticed. In fact, I entered the bakery twice prior to their late 2011 renovation and left before ordering as I was appalled with the putrid state of conditions there. Formerly a dusty, dank bakery, albeit one with lovely smells, the reviews of The Hungry Ghost's bread range from passionate to pallid. But it was their recent renovation and switch to pizza that piqued my curiosity one evening, prompted by an October 2011 review by Serious Eats writer Liz Bomze, when the bakery had first branched out to pizza. I'm not one to place SE on a pedestal, but I respect their input and recognize their experience in eating many different types of pizza, so their range of comparison would be vast and hopefully serve as a good benchmark for my own experience.
What Liz described as "some of the best pizza in New England" was something I wouldn't have the heart to feed my dog. (Who, for the record, was raised on New Haven apizza crusts slipped under the table.) Perhaps this would pass for good pizza to someone who was heretofore fed exclusively Domino's and Digiorno, but for a Connecticut resident, this barely has the life and character of a freezer-burnt Ellio's. Entering the bakery, we were the only patrons yet stood for a few minutes as the cashier finished a lengthy conversation about boys with a friend of hers. When we made a motion to order and ask for a recommendation, as it was our first time checking the place out, it was made painfully clear that the delicate rhythm of the discourse was disrupted by our presence. This was reflected in the service. Hideously annoyed that her soliloquy about menfolk was stopped in its tracks, the cashier was surly, exhibiting a vapid passivity nearing autistic levels, thrusting a paper menu toward us and all but telling us to go screw ourselves. Any further requests for recommendations yielded blank stares and eye rolls.
We finally agreed to try their margherita pizza, a basic set of flavors that, when done well, transport the eater back to summertime. A simple choice for a first time. Informed that the pizza would take twenty minutes to cook, a strangely long time in a brand new Llopis wood-fire oven, we were told to come back. We perused a local deli and returned only to be informed that the bakery was cash-only. No signage alerted us to this fact, nor did our server choose to capitalize on our twenty minute wait by offering up this fact. Thus, our pizza was delayed another ten minutes as we found an ATM per her vague directions and went on our way.
That ten minutes made no difference at all. In fact, I doubt ten seconds would have made a difference, because this pizza was abhorrent both hot and cold. For starters, the composition. A margherita pizza is retardedly simple: tomatoes, mozzarella, basil, and a little extra virgin olive oil. Our pizza had rivulets of grease pocking its surface and running down the sides and into the crust and was sparse in the basil department. Apparently there's a shortage of skimpy, free-range basil leaves in the region. Fresh tomatoes were replaced with what tasted like canned tomato sauce, and the cheese was barely browned. Checking out the upskirt, we were once again dismayed by the shoddy performance of this seemingly new oven. I'm not sure if the owners got an upcycled oven or if it was left on the curb and posted on freecycle, but it yielded a flaccid, soggy crust with a gummy interior, each piece collapsing on itself, saturated and glistening with more oil than a male model and shedding dandruffy flakes of cornmeal and flour when moved from box to plate.
The first few bites of each slice were wet, thick, and slimy, the result of the copious amounts oil migrating to the center of the pie. With each bite, I was waiting for International Bird Rescue to come clean my mouth in the same way oiled seagulls are cleaned after a disaster. $13 bought an extremely bland, oversweetened twelve inch pizza that left a sheen on our lips and carried a pervasively annoying sourdough tang, more tangy and sour than their bread. I've suffered from heartburn with a more nuanced flavor than this.
Unfortunately, Jesus did not grace our grease-stained napkin with His presence. He must have seen our pitiful meal and appeared in the craggy crust of a McNugget across the street instead.
An undistinguished and frugally filled alfajore did not make for a delightful end to the meal.
We had structured our day around getting this pizza tonight. I'm just pleased that we didn't go "full pizza" and snag more than one pie or even upgrade to a larger size. This was so unappetizing that we didn't even bother to sit down at the table with it, much less open the bottle of Mondavi we'd left chilling for the occasion. From the many Bret Easton Ellis novels and old issues of the New Yorker I've perused, I gather that high-end restaurants of the 80's were proud of being stingy and standoffish, cultivating the type of clientele who would know better than to question the difference between ceviche and cilantro. I don't, however, understand why this snobby "value" is superimposed onto the more mediocre examples of fine dining I've seen in small towns. It seems like a certain strain of naive people equate this attitude with quality dining, and it unfortunately causes restaurants like this to thrive where they can be king of the college pizza scene. Hungry Ghost comes across as a ludicrously arrogant big fish in a small pond. The hype is not deserved.
